When it's too close to home: Writing Q&A with Anne Bustard, author of <em>Anywhere But Paradise</em>
It is my absolute pleasure to welcome Anne Bustard today, in celebration of the release of her new Middle Grade book, which comes out today. Anne, a part of Egmont's Last List, has graciously agreed to indulge my questions about her writing process with her brilliant answers. So without further ado, welcome, Anne!
Anywhere But Here
Set in 1960 Hawaii, Anywhere But Paradise is the story of reluctant seventh-grade newcomer Peggy Sue Bennett, who is baffled by local customs, worried about her quarantined cat and targeted by a school bully because she is haole, white. At first, Peggy Sue would rather be anywhere—anywhere but paradise. But a new friend, hula lessons, the beauty of the islands and more, help Peggy Sue find her way. This is a story about fear and guilt. About hope and home. About aloha, love.
I've read that Anywhere But Paradise was inspired by your growing up in Hawaii. Can you tell us more about that? Did you do a lot of research on Hawaii in 1960 or mostly rely on your personal experiences?
I was born in Honolulu, moved away when I was a toddler and returned to paradise after fifth grade. I have wonderful memories of hiking to waterfalls with my cousins, aunt and uncle, eating lilikoi (passion fruit) shave ice on the bench outside the Matsumoto storefront on the North Shore, stringing lei from plumeria flowers from our yard and listening to the ocean.
I did not live in the islands in 1960. But even if I had, research would still have been a gigantic part of my process. I couldn’t have written the story without delving deeper and double-triple checking details. I love research, so this part of the writing process was particularly fun! I needed to verify the animal quarantine requirements, when the night-blooming cereus flowered, stories about Madame Pele and dozens of other facets of the novel. I did a lot on my own, but so, so many generous people helped me along the way. I am exceedingly grateful.
Small moments of my personal experience flavor the narrative. I know what it’s like to hear a tsumani warning siren wail and evacuate to higher ground, to be verbally threatened by a bully (though unlike Peggy Sue, it happened to me only once) and to be enchanted by the beauty and rhythms of the islands.
Writing about a character's problems can unearth a ton of old ghosts of our own. How did you go about navigating your past and finding the inspiration for the character of Peggy Sue? Did you ever find her problems difficult to confront due to them being too close to home?
All writers draw upon some portion of ourselves, no matter how small. Part of my own journey was to recognize that I was holding back. In a pivotal conversation with the wonderful children’s and YA writer, Janet Fox, it occurred to me that Hawaii was the antagonist of the story. I love Hawaii. It is my home. I told Janet that I did not want it to be the antagonist.
“I know,” she said in a soft voice. “But in the end,” Janet said brightly, “Hawaii isn’t the antagonist.”
True. But. I realized not only had I been protecting Peggy Sue, I’d been protecting Hawaii. In the end, both would have to stand up for themselves.
What advice would you give to a writer who is struggling to separate their reality from their fictional character? How can we protect ourselves emotionally if a character reminds us too much of ourselves?
You are not your character. But there may be parts of her that resonate with you.
So my answer may surprise you—don’t separate. This is where you will find the gold.
It’s way scary.
It took me years to get to the point where I could do this. Years.
What was the most useful lesson you learned while writing this book? If you could go back and talk to the you who is about to begin writing, how would you warn or arm her against the difficulties ahead?
My big takeaway? Go there emotionally.
Breathe. Trust the process. It’s going to take as long as it takes. It’s all about revision, going deeper. About finding the heart of the story. About discovering what your characters really want.
Tim Wynne-Jones says, “The answers are in your writing.” He posits that we give ourselves clues to unlocking the mysteries of our own work. It’s our job to look carefully, to look differently, until we discover them.
Amen to that, Anne. Thank you for your wonderfully insightful answers!
To celebrate the release of Anywhere But Paradise, we are giving away a signed copy to a lucky winner! Enter the draw through the Rafflecopter below for a chance to win this beautifully written book!
ANNE BUSTARD is a beach girl at heart. If she could, she would walk in the sand every day, wear flip-flops, and eat nothing but fresh pineapple, macadamia nuts and chocolate. She is the author of the award-winning picture book Buddy: The Story of Buddy Holly (Paula Wiseman Books/Simon & Schuster Books for Young Readers). Her debut middle grade historical novel Anywhere But Paradise (Egmont Publishing) is out on March 31, 2015. She lives in Austin, Texas.