How Going to Military School = Writing a Book
[box type="note"]Jodi here! Today I have Joy N. Hensley with a guest post about how military school is like writing a book. Enjoy![/box]
Jodi Meadows, my fifth-cousin-by-marriage, asked me to write this. “It should be funny,” she said. Apparently, she doesn’t remember reading Rites of Passage or the fact that I don’t/can’t do funny. Just like I can’t write poetry. (She’s a lot like my mom that way—see told you we’re related.) Anyway, here goes. Remember: it’s not funny. Sorry/not sorry.
How Going to Military School = Writing a Book
Do it for yourself first—Military school is hard. It’s grueling. It’s like boot camp on crack because you add classes on top of everything else. If you’re doing it to prove something to yourself, then you’re more likely to succeed. If you’re doing it to impress someone else, it’s going to be hard to make it. There’s a lot of talk about trend in writing. What’s selling, what’s going to sell next. If you focus on that part, writing is going to be hard. Here’s the thing—the publishing industry moves slow. So by the time you’ve gone through writing, revising, subbing, selling…the trend is over. At its essence, writing is about telling a story. A story you can tell that no one else can. If you’re writing the story of your heart, then you’re more likely to succeed. If you’re writing toward a trend, it’s going to be hard to make it.
Determination—Military school ain’t no walk in the park. You get yelled at, woken up insanely early, yelled at more, forced to do millions of push-ups and other forms of physical torture, and then yelled at again. In the case of Sam, the main character in Rites of Passage, you might also get bullied and hazed. But if you (like Sam) have heart and can remember why you’re there, you’ll make it through. The same thing goes with writing. Writing a book from start to finish requires a certain amount of…chutzpah. There will be pages and pages of words you write/love/delete/rewrite/revise, etc. There will be rejection, bad reviews, and days you want to stick your head in the sand. But if you have heart and can remember why you’re writing, you’ll make it through.
Use critique but don’t sell your soul—When you’re marching/shooting/running an obstacle course, everyone seems to have a tip for doing it better/faster/more efficiently. The problem is, those tips work for them—they may not work for you. The tip-giver might be taller/faster/stronger/more daring than you. But think about what they said—don’t just toss it away. See if you can find something in there, however small, that might help. If you take what they give you and make it your own, you’re golden. Don’t feel bad if you don’t use it—this is your life. It’s a lot the same with writing. Everyone reads your book with their own background knowledge. They may want your character to do one thing while you don’t think it fits. It took me a long time to realize I didn’t have to please everyone when I write. As long as I stay true to the story and make it as strong as I can, I’ll be happy. Every critique helps in some way. If you can take what critique partners give you and use it to strengthen your story, you’re golden. Don’t feel bad if you don’t use their suggestions—in the end, this is your story.
It’s not you, it’s you ALL—In military school, it feels like a lot of attention is on you as an individual. To an extent, it is. One cadet out of step in a platoon is really obvious and looks pretty bad. But your platoon, your company, your battalion, when everyone works together and helps each other, it looks amazing. All you can do is your best and hope everyone else does their best, too. It’s the same way with books. At some point your book is out of your hand. Other people get input—your editor, your design team, your publicist—everyone looks at the book from a different angle, checking that it’s in-step, that the uniform is polished and looking its best. The goal is the same, though: to put out the best possible book. All you can do is write the best book you can. Then you hope that everyone else does their best, too.
Sam McKenna has never turned down a dare. And she's not going to start with the last one her brother gave her before he died.
So Sam joins the first-ever class of girls at the prestigious Denmark Military Academy. She's expecting push-ups and long runs, rope climbing and mud crawling. As a military brat, she can handle an obstacle course just as well as the boys. She's even expecting the hostility she gets from some of the cadets who don't think girls belong there. What she's not expecting is her fiery attraction to her drill sergeant. But dating is strictly forbidden and Sam won't risk her future, or the dare, on something so trivial...no matter how much she wants him.
As Sam struggles to prove herself, she discovers that some of the boys don't just want her gone—they won't rest until she gives up. When their petty threats turn to brutal hazing, bleeding into every corner of her life, she realizes they are not acting alone. A decades-old secret society is alive and active...and determined to force her out.
At any cost.
Now time's running short. Sam must decide who she can trust . . . and choosing the wrong person could have deadly consequences.
Rites of Passage is available at bookstores and is also available at:
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E-mail: orders (at) booksandtoys (dot) us Phone: (540) 463-4647
JOY N. HENSLEY is a former middle school teacher. She used to spend her twenty-minute lunch breaks hosting author Skype chats for her students. Once upon a time she went to a military school on a dare. She lives in Virginia with her husband and two children, finding as many ways as she can to never do another push-up again.